André Romelle Young[1] (born February 18 1965), better known by his stage name Dr. Dre, is an American record producer, rapper, actor and record executive. He is the founder and current CEO of Aftermath Entertainment and a former co-owner and artist of Death Row Records, also having produced albums for and overseeing the careers of many rappers signed to those record labels. As a producer he is credited as a key figure in the popularization of West Coast G-funk, a style of rap music characterized as synthesizer-based with slow, heavy beats.[2]

He was a member of the influential gangsta rap group N.W.A, which popularized the use of explicit lyrics in rap to detail the violence of street life.[2] His 1992 solo debut The Chronic, released under Death Row Records, led him to become one of the best-selling American performing artists of 1993.[3] In 1996, he left Death Row to found his own label Aftermath Entertainment, producing a compilation album Dr. Dre Presents the Aftermath in 1997 and releasing a solo album titled 2001 in 1999.[2] In the 2000s, he focused his career on production for other artists, while occasionally contributing vocals in other artists' songs. Rolling Stone magazine named him among the highest-paid performers of 2001[4] and 2004.[5] In 2008, his final solo studio album Detox will be released, following much delay and speculation.[6]


Early life

He was the first child of Verna and Theodore Young; Verna was only 16 years old upon giving birth to him after being impregnated by teenage boyfriend Theodore, whom she later married. She gave her new child the middle "Romelle" came from Theodore Young's unsigned, amateur R&B singing group The Romells. In 1968, his mother divorced Theodore Young for another man, Curtis Crayon, and had other children with him, including two sons named Jerome and Tyree (both of whom now deceased)[7][8] and daughter Shameka.[9] As a young child, he was fascinated with vinyl records spinning on phonographs; his family's record collection included many popular R&B albums of the 1960s and 1970s, from such singers as Diana Ross, James Brown, and Aretha Franklin. According to an interview with the Los Angeles Times, his mother Verna found R&B music to be a relief from the two jobs she had to work daily.[10] Despite economic troubles, she continued to encourage Andre not to give up in life. During Verna's marriage to Curtis Crayon, Andre and brother Tyree were cared mostly by their father Curtis or grandmother as their mother struggled to find work.[11]

In 1976, Young began attending Vanguard Junior High School and had a new sister named Shameka. However, due to gang violence around Vanguard, he transferred to nearby Roosevelt Junior High School.[12] Later, Verna married Warren Griffin, whom she met at her new job in Long Beach[13], and thus brought in three new stepsisters and one new stepbrother, Warren Griffin III, who would eventually become a rapper under the stage name Warren G.[14]

Young attended Centennial High School in Compton during his freshman year but transferred to Fremont High School due to poor grades. On December 15, 1981, a young woman that he impregnated gave birth to his biological son Curtis Young, whom Andre would later meet as the rapper "Hood Surgeon" about 20 years later.[15] He was nearly enrolled to an apprenticeship program at Northrop Aviation Company until poor grades at school made him ineligible. Therefore, he focused on social life and entertainment for most of his high school years. [16]

World Class Wreckin' Cru

Inspired by the Grandmaster Flash song "The Adventures of Grandmaster Flash on the Wheels of Steel", he often attended a club called The Eve After Dark to watch many DJs and rappers performing live. Thus, he became a DJ in the club, initially under the name "Dr. J" based on the nickname for Julius Erving, his favorite basketball player. At the club, he met aspiring rapper Antoine Carraby, later to become member DJ Yella of his group N.W.A.[17] Soon afterwards, he adopted his current moniker Dr. Dre, referring to himself as the "Master of Mixology".[18] He later joined the musical group World Class Wreckin' Cru under the independent Kru-Cut Records in 1984. The group would become stars of the electro-hop scene that dominated early-80's West Coast hip hop, and their first hit "Surgery" would prominently feature Dr. Dre on the turntables and sell 50,000 copies within the Compton area.[19] Dre and Yella also performed mixes for local radio station KDAY, boosting ratings for its afternoon rush-hour show The Traffic Jam.[20]

He frequently skipped school as he continued to explore rap music despite receiving good grades in certain classes on the few days he did attend. Thus, his position as a diver for his school's swim team was jeopardized. After high school, he attended Chester Adult School in Compton following his mother Verna's demands for him to get a job or go to school. After brief attendance at a radio broadcasting school, he relocated to the residence of his father and residence of his grandparents before returning to his mother's house.[21] He later dropped out of Chester to focus on performing at the Eve's After Dark nightclub.[22]

N.W.A and Ruthless Records

In 1986, he met rapper Ice Cube, who collaborated with Dre to record songs for Ruthless Records, a rap record label run by local rapper and drug dealer Eazy-E. N.W.A however, along with fellow west coast rapper Ice T, debuted with rhymes including profanity and gritty depictions of crime and life on the street. No longer constricted to racially charged political issues pioneered by rap artists such as Public Enemy or Boogie Down Productions, N.W.A shot out with hardcore and realistic perspective of street violence and local black gangster lifestyle. Propelled by the hit "Fuck tha Police", the group's first full album Straight Outta Compton became a major success, despite an almost complete absence of radio-airplay and major concert tours and warnings from the FBI.[2]

After Ice Cube left N.W.A. over financial disputes, Dre produced and performed for much of the group's second album Efil4zaggin. He also produced tracks for a number of other rap acts on Ruthless Records, including Above the Law, and The D.O.C. for the album No One Can Do It Better.[23] In 1991, at a music-industry party in Hollywood, he assaulted television host Dee Barnes of the Fox television program Pump it Up, after he felt dissatisfied by a news report of hers on the feud between the remaining N.W.A. members and Ice Cube. Thus, Dr. Dre was fined $2,500 and given two years' probation and 240 hours of community service, as well as a spot on an anti-violence public service announcement on television.[24][25]

Death Row Records

After a dispute with Wright, Young left the group at the peak of its popularity in 1991 under the advice of friend, and N.W.A. lyricist, The D.O.C. and his bodyguard at the time, Suge Knight. Knight, a notorious strongman and intimidator, was somehow able to have Wright release Young from his contract and, using Dr. Dre as his flagship artist, founded Death Row Records.[2]

In 1992, Young released his first single, the title track to the film Deep Cover, being a collaboration with a rapper whom he met through his own stepbrother and rapper Warren G, Snoop Dogg.[2] Dre's debut album was The Chronic under Death Row Records. Young ushered in a new style of rap, both in terms of musical style and lyrical content.[26]

On the strength of singles such as "Nuthin' but a "G" Thang", featuring protegé Snoop Doggy Dogg and hits like "Let Me Ride" and "Fuck wit Dre Day (and Everybody's Celebratin')" (known as "Dre Day" for radio and television play), The Chronic became a cultural phenomenon, its G-funk sound dominating much of hip hop music for the early 1990s.[2] The album also was certified multi-platinum by the Recording Industry Association of America in November 1993.[27] He also won the Grammy Award for Best Rap Solo Performance from "Let Me Ride" in 1993.[28]

He also produced Snoop Dogg's debut album Doggystyle, which became the first debut album for an artist to debut at number one on the Billboard 200 album charts.[29] Young also produced other west coast rap albums of Death Row Records, including Dogg Food by Tha Dogg Pound, and the album Regulate...G Funk Era by his own stepbrother Warren G. In 1994, Dre produced the soundtracks to the films Above the Rim and Murder Was the Case and the single "No Diggity" by Blackstreet. In 1995, he collaborated with fellow N.W.A. member Ice Cube for the song "Natural Born Killaz".[2]

In 1995, just as Death Row Records was signing rapper 2Pac and positioning him as their major star, Young left Death Row Records amidst a contract dispute and growing concerns that label boss Suge Knight was corrupt, financially dishonest and out of control. Thus, in 1996, he formed his own label Aftermath Entertainment directly underneath the distributor label for Death Row Records, Interscope Records.[2] Consequently, Death Row Records suffered poor sales by 1997, especially following the death of 2Pac and the racketeering charges brought against Knight.[30]

Aftermath Entertainment

The Dr. Dre Presents the Aftermath album, released at the end of the year, featured songs by Dre himself as well as by newly signed Aftermath artists, and a solo track "Been There, Done That", intended as a symbolic farewell to gangsta rap.[31] Despite being classified platinum by the RIAA[32], the album was not very popular among music fans.[2] In October 1996, Dr. Dre appeared on the sketch-comedy program Saturday Night Live, broadcast on the NBC television network in the United States, to perform "Been There, Done That".[33] In 1997, Young produced several tracks on Nas, Foxy Brown, AZ, and Nature Present The Firm: The Album; although the album went platinum, it was met with similarly negative reviews from critics. Rumors began to abound that Aftermath was facing financial difficulties.[34]

The turning point for Aftermath came in 1998, when Jimmy Iovine, the head of Aftermath's parent label Interscope, suggested that Young sign the white Detroit rapper Marshall Mathers, artistically known as Eminem, to Aftermath. Young produced three songs and provided vocals for two on his controversial album, ("My Name Is", "Guilty Conscience" and "Role Model") in 1999.[35]

When Dr. Dre released his second solo album, 2001 in the fall of 1999, it was an ostentatious return to his gangsta rap and G-funk roots. The album featured numerous collaborators, including Devin the Dude, Hittman, Snoop Dogg, Xzibit, Nate Dogg and Eminem. Stephen Thomas Erlewine of the website All Music Guide described the sound of the album as "adding ominous strings, soulful vocals, and reggae" to Dre's style.[36] The album was highly successful, charting at number two on the Billboard 200 charts[37] and has since been certified six times platinum[27], thus reaffirming a recurring theme featured in its lyrics, stating that Dr. Dre was still a force to be reckoned with, despite the lack of major releases in the previous few years. In 2000, Dre won the Grammy Award for Producer of the Year.[2] The album included popular hit singles "Still D.R.E." and "Forgot About Dre", which Dre performed on NBC's Saturday Night Live on October 23, 1999.[38]

In 2001, Dr. Dre appeared in the movies The Wash and Training Day. A song of his, "Bad Intentions" (featuring Knoc-Turn'Al) and produced by Mahogany, was featured on The Wash soundtrack. Dre also appeared on two other songs "On the Blvd." and "The Wash" along with his co-star Snoop Dogg.

Other successful albums produced by Dr. Dre for Aftermath Entertainment have included the debut album by Queens, New York-based rapper 50 Cent, Get Rich or Die Tryin', in 2003. The album featured the Dre-produced hit single "In da Club", as a joint production between Aftermath, Eminem's boutique label Shady Records and Interscope. In early 2005, Aftermath released rapper The Game's debut album The Documentary in conjunction with Interscope and rapper 50 Cent's boutique label G-Unit Records, propelled by the lead single "How We Do" produced by Dr. Dre and Mike Elizondo and featuring 50 Cent.

In April 2003, rapper Ja Rule released a mixtape of freestyle raps criticizing Dr. Dre and his produced artists 50 Cent and Eminem.[39] For an issue of Rolling Stone magazine in April 2005, Kanye West also praised Dr. Dre as among the greatest performing artists of all time.[40]

Among planned but unreleased albums during Dre's tenure at Aftermath have included a full-length reunion with Snoop Dogg titled Breakup to Makeup, an album with fellow former N.W.A member Ice Cube which was to be titled Heltah Skeltah, an N.W.A reunion album, and a joint album with fellow producer Timbaland titled Chairmen of the Board.[41][23][42]

In November 2006, Dre began working with Raekwon on his album Only Built 4 Cuban Linx II.[43] He also produced for the albums Buck the World by Young Buck and Curtis by 50 Cent.[44] Other albums he has worked on or is working on are Bishop Lamont's The Reformation[45], Papoose's The Nacirema Dream[46] , and Here I Am by Eve.[47] Also Dr. Dre may work with The Game again on his rumored-to-be last album, L.A.X..[48]

Final album

Dr. Dre has stated that although he is not far from completing his final album Detox, the album has been pushed back to a 2008 release.[6] Work for the album dates back to 2004, when he decided to stop working on the album to focus on producing for other artists but then changed his mind; the album had initially been set for a fall 2005 release.[49]

Film production

In February 2007, it was announced that Dr. Dre would produce "Dark Comedies" and Horror films for New Line-owned company Crucial Films, along with longtime video director Phillip Atwell. Dr. Dre announced "This is a natural switch for me, since I've directed a lot of music videos, and I eventually want to get into directing".[50] He has also started a movie production company called Interscope/Shady/Aftermath Films with Eminem, The company has worked on 50 Cent's debut movie Get Rich or Die Tryin'.


Musical influences and style

Dr. Dre has said that his primary instrument in the studio is the MPC3000, a drum machine and sampler, and that he uses as many as four or five to produce a single recording. He cites George Clinton, Isaac Hayes and Curtis Mayfield as primary musical influences. Unlike most rap producers, he tries to avoid samples as much as possible, preferring to have studio musicians re-play pieces of music he wants to use, because it allows him more flexibility to change the pieces in rhythm and tempo.[41] In 2001, he told Time magazine, "I may hear something I like on an old record that may inspire me, but I'd rather use musicians to re-create the sound or elaborate on it. I can control it better."[51]

After founding Aftermath Entertainment in 1996, Dr. Dre took on producer Mel-Man as a co-producer, and his music took on a more synthesizer-based sound, using fewer vocal samples (As he had used on "Lil' Ghetto Boy" and "Let Me Ride" on The Chronic, for example). Mel-Man has not shared co-production credits with Dr. Dre since approximately 2002, but fellow Aftermath producer Focus has credited Mel-Man as a key architect of the signature Aftermath sound.[52]

In 1999, Dr. Dre started working with Mike Elizondo, a bassist, guitarist, and keyboardist who has also produced, written and played on records for female singers such as Poe, Fiona Apple and Alanis Morissette[53], for his album 2001. Elizondo has since worked for many of Dr. Dre's productions.[54][55]

In 2004, Dr. Dre told Scratch magazine that he has been studying piano and music theory formally, and that a major goal is to accumulate enough musical theory to score movies. In the same interview he stated that he has collaborated with famed 60's songwriter Burt Bacharach by sending him hip-hop beats to play over, and hopes to have an in-person collaboration with him in the future.[41]

Work ethic

Dr. Dre has stated that he is a perfectionist, and is known to push the artists with whom he records to give flawless performances.[41] In 2006, Snoop Dogg told the website that Dre had made new artist Chauncey Black re-record a single bar of vocals 107 times.[56] Dr. Dre has also stated that Eminem is a fellow perfectionist, and attributes his success on Aftermath to his like-minded work ethic.[41]

A consequence of this perfectionism is that some artists that initially sign deals with Dre's Aftermath label never release albums. In 2001, Aftermath released the soundtrack to the movie The Wash. featuring a number of Aftermath acts such as Shaunta, Daks, Joe Beast and Toi. To date, none have released full-length albums on Aftermath and have apparently ended their relationships with the label and Dr. Dre. Other noteworthy acts to leave Aftermath without releasing albums include King Tee, 2001 vocalist Hittman and 1980s rap icon Rakim.[57]

Unlike the majority of hip-hop tracks even to this day, Dr. Dre's tracks have featured a large amount of live instrumentation, and he has often been praised for his musical ability. But since his earliest work in rap, Dr. Dre has produced records with the help of outside musicians, leading to allegations that he does not actually produce a significant portion of the tracks that are credited to his name. To date, only 3 co-producers have shared production credits alongside Young officially- DJ Yella on N.W.A. albums, Mel-Man on Aftermath releases between the label's inception and until approximately 2002, and most recently, Mike Elizondo, a Los Angeles-based bassist.Template:Or

However, over the years word of other collaborators has surfaced. During his tenure at Death Row Records, it was alleged that Dre's half brother Warren G and Tha Dogg Pound member Daz made many uncredited contributions to songs on his solo album The Chronic and Snoop Doggy Dogg's album Doggystyle (Daz received production credits on Snoop's similar-sounding, albeit less successful album Tha Doggfather after Young left Death Row Records).

It's known that Scott Storch, who has since gone on to become a successful producer in his own right, contributed to Dr. Dre's second album 2001; Storch is credited as a songwriter on several songs and played keyboards on several tracks. In 2006, he told Rolling Stone:

"At the time, I saw Dr. Dre desperately needed something," Storch says. "He needed a fuel injection, and Dre utilized me as the nitrous oxide. He threw me into the mix, and I sort of tapped on a new flavor with my whole piano sound and the strings and orchestration. So I'd be on the keyboards, and Mike [Elizondo] was on the bass guitar, and Dre was on the drum machine".[58]

Current collaborator Mike Elizondo, when speaking about his work with Young, describes their recording process as a collaborative effort involving several musicians. In 2004, he claimed to Songwriter Universe Magazine that he had written the foundations of the hit Eminem song "The Real Slim Shady", stating, "I initially played a bass line on the song, and Dre, Tommy Coster Jr. and I built the track from there. Em [Eminem] then heard the track, and he wrote the rap to it".[55] This account is essentially confirmed by Eminem in his book Angry Blonde, stating that the tune for the song was composed by a studio bassist and keyboardist while Dr. Dre was out of the studio but later programmed the song's beat after returning.[59]

Furthermore, in the September 2003 issue of The Source, a group of disgruntled former associates of Dre complained that they had not received their full due for work on the label. A producer named Neff-U claimed to have produced the songs "Say What you Say" and "My Dad's Gone Crazy" on The Eminem Show, the songs "If I Can't" and "Back Down" on 50 Cent's Get Rich or Die Tryin', and the beat featured on Dr. Dre's commercial for Coors beer.[57]

Although Young studies piano and musical theory, he serves as more of a conductor than a musician himself, as Josh Tyrangiel of Time magazine has noted:

Every Dre track begins the same way, with Dre behind a drum machine in a room full of trusted musicians. (They carry beepers. When he wants to work, they work.) He'll program a beat, then ask the musicians to play along; when Dre hears something he likes, he isolates the player and tells him how to refine the sound. "My greatest talent," Dre says, "is knowing exactly what I want to hear."[51]

Although Snoop Dogg retains working relationships with Warren G and Daz, who are alleged to be uncredited contributors on the hit albums The Chronic and Doggystyle, he states that Dr. Dre is capable of making beats without the help of collaborators.[60] It should be noted that Dre's prominent studio collaborators, including Scott Storch, Elizondo, Mark Batson and Dawaun Parker, have shared co-writing, instrumental, and more recently co-production credits on the songs where he is credited as the producer.

It is also widely acknowledged that most of Dr. Dre's raps are written for him by others, though he retains ultimate control over his lyrics and the themes of his songs. As Aftermath Producer Mahogany told Scratch: "It's like a class room in [the booth]. He'll have three writers in there. They'll bring in something, he'll recite it, then he'll say. 'Change this line, change this word,' like he's grading papers."[61] As seen in the credits for tracks Young has appeared on, there are often multiple people who contribute to his songs (although it should be noted that often in hip-hop many people are officially credited as a writer for a song, even the producer). As a member of N.W.A., The D.O.C. wrote lyrics for him while he stuck with producing.[62] When Young went to Death Row, Snoop Dogg took on a lot of the writing work for Dr. Dre, although it should be noted that Dre has never openly admitted or denied this. More recently, famed New York rapper Jay-Z ghostwrote lyrics for the 2001 single "Still D.R.E." (He is listed under the songwriting credits as "S. Carter", or Shawn Carter).



Year Title Role Notes
1992 Niggaz4Life: The Only Home Video Himself -
1994 Set It Off Black Sam -
2000 Up In Smoke Tour Himself -
2001 Training Day Paul -
The Wash Sean -

Further reading

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