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[edit] GEFEN SYSTEMS
Two new video scalers from connectivity solutions provider Gefen demonstrate their ability to connect different video formats and output scalable, high definition video resolutions.
The HDMI to HD-SDI Scaler connects consumer HDMI audio/video sources to HD-SDI displays for a seamless integration of diverse components.
The HD-SDI to HDMI Scaler connects broadcast video sources to HDMI displays, providing real-world testing of quality and performance.
Both Scalers support all standard and high definition resolutions up to 1080p in multiple broadcast formats. Each offers a cost-effective and simple method of integrating consumer video sources and displays in studio production work and testing.
The Scalers' simple, plug and play method of installation is supplemented by a range of features that guarantee the best visual performance with no signal dropouts or delays. These include video de-interlacing with edge interpolation, advanced noise reduction, detail enhancements and color correction. Users are able to further tweak video with brightness and gamma selections. [1]
[edit] GRASS VALLEY
[edit] HARRIS
[edit] IKEGAMI
LAS VEGAS CONVENTION CENTER, BOOTH C-4226, APRIL 16-19, 2007—Ikegami Electronics (U.S.A.), Inc., the world-leading manufacturer of advanced high definition (HD) and standard definition (SD) television production solutions for broadcast and professional video applications, will display a wide range of new products at the 2007 National Association of Broadcasters (NAB) exhibition, in Las Vegas. In addition to Ikegami’s industry-leading portable, studio, and field cameras for HD and SD television production, the company’s exhibit will also include the new HDL-45 and HDL-45P one-piece full-digital HD “box” cameras, the new HDL-F50 multi-format CMOS-imager-based compact HD camera designed for gyroscopic aerial mounts, the new HDE-X11 tapeless HD field recorder, the new HDS-300R holographic video archiving system, the new HLM-1710R 17-inch LCD monitor, and the new FE-100A Series Fiber Extension systems to configure the HDL-45 or HDN-X10 EditcamHD for studio camera use.
“With the nation’s transition to DTV and HDTV less than two years away it’s more important than ever for broadcasters and program producers to be equipped for the demands of the modern digital, widescreen, and tapeless television and video content-creation world,” explains Alan Keil, VP and Director of Engineering for Ikegami. “The new age of DTV requires the use of versatile, high-quality production tools that can deliver unsurpassed image quality in any of several HD formats. From fully tapeless EditcamHD acquisition and workflow solutions, to CMOS-equipped multi-format HD cameras designed for a vast array of production applications, to exacting LCD monitors, to dependable nonlinear HD and SD video-archiving solutions, Ikegami has what the industry needs right now.”
HD Everywhere Ikegami meets the challenge of high-quality HD image capture in inaccessible locations with the new HDL-45 and HDL-45P one-piece full-digital HD “box” cameras. Featuring advanced 14-bit analog-to-digital conversion, the HDL-45 and HDL-45P deliver superb 1080i and 720p HD image-capture, respectively, and are designed for use in such locations as traffic and weather-cam mounts, goalposts, track-side or other out-of-reach vantage points. With matching picture quality and compatibility with the same control panels as their studio camera counterparts, these box cameras integrate perfectly for flash camera, newsroom, control room, and other unmanned camera positions. Both cameras also feature a built-in servo-filter that enables insertion of a neutral density or other filter by remote control—an especially important feature for use in inaccessible installations.
Capturing the highest quality HD video from great heights is also the purpose of Ikegami’s new HDL-F50 multi-format CMOS camera, which is designed to meet the size requirements for gyro-stabilized aerial camera mounts, such as the “ball” mounts used on helicopters. The HDL-F50’s one-piece, space-saving design minimizes the number of camera input and output signals, simplifying signal transportation and allowing a gyro-stabilized ball mount to transmit camera signals with a minimum of slip rings. The HDL-F50’s CMOS imager features low power consumption and provides multi-format 1080i or 720p HD image capture.
Editcam Tapeless Capture and Recording Ikegami pioneered tapeless, nonlinear broadcast-quality video capture more than a decade ago with its revolutionary Editcam line of camcorders. Now in its third generation, the latest Ikegami Editcam camcorders include the HDN-X10 EditcamHD, which uses a multi-format CMOS HD imager, and is the first camcorder to use Avid's high quality DNxHD high-quality mastering codec to deliver HD resolution, full-raster (1920 by 1080) images that can be edited on laptop and desktop systems in real time. Ikegami's standard-definition DNS-33W Editcam camcorder uses a next-generation 520,000-pixel AIT (Advanced Interline Transfer) CCD and—like the EditcamHD—features such revolutionary innovations as RetroLoop recording (so videographers never miss a shot) and TimeLapse. The EditcamHD and Editcam are the only broadcast camcorders that give users the choice to record to two different forms of tapeless nonlinear media: the hard-disk-based FieldPak2 or the solid-state RAMPak cartridge. Both media mount to desktop or laptop editors instantly for fast, efficient nonlinear workflow.
At NAB 2007, Ikegami further expands its Editcam product family by introducing the HDE-X11 Editcam Station HD portable tapeless Avid DNxHD native field recorder. This newest Ikegami tapeless innovation enables producers to record to FieldPak2 or RAMPak media from any HD camera or source, 1080i or 720p, and thereby fully utilize tapeless workflow advantages in post. The HDE-X11 Editcam Station HD portable tapeless Avid DNxHD native field recorder offers 2+ hours of full HD recording to 160GB FieldPak2 or RAMPak media, compatibility with Avid HD editing systems, and RetroLoop and TimeLapse recording. Interfaces include HD-SDI and four channels of AES/EBU or embedded digital audio inputs, and down-converted composite output for monitoring.
Holographic Archiving Responding to the growing need for stable, economical HD video archiving media, Ikegami will display the new HDS-300R external holographic drive, which enables users of Ikegami’s Editcam and EditcamHD camcorders to transfer edited or camera-original video content via network interfaces to highly stable 300GB cartridges with all the advantages of tapeless nonlinear archiving and retrieval. Archiving on the HDS-300R external holographic drive, users of Editcam and EditcamHD camcorders can then erase their FieldPak2 or RAMPak media for repeated use. In addition to high storage densities, fast transfer rates, and a 50-year shelf life, the holographic storage media employed by the HDS-300R is more cost-effective than tape or optical media (projected cost is approximately ten cents per gigabyte), does not require special environmental controls, offers true write once/read many (WORM) performance, is easily integrated with asset management and archiving software, and records video exactly as originally recorded, adding no additional compression.
The cartridge-encased 130mm holographic storage disc media used by the HDS-300R is comprised of two substrates with 1.5mm of recording material between them. Data is recorded by the HDS-300R between the substrates, with no surface recording. This 3D use of the full depth of the recording material is a major factor in achieving the very high capacity of the holographic media. Data is recorded at 1.4 million bits per page at a 160 Mb/sec. read/write transfer rate, using a 405 nm wavelength laser.
Fiber Extension Products Further expanding the versatility of Ikegami’s new HDL-45 one-piece full-digital HD “box” camera and the HDN-X10 EditcamHD camcorder, Ikegami introduces the FE-100A Series of fiber-extension products, which enable users to configure these cameras for studio operation. Using the new FE-C140 SE camera-side unit and FE-B100A base-station unit, a tripod-mounted HDL-45 can be transformed into a studio style camera with viewfinder, including return or prompter video, intercom, and audio mic channels using SMPTE fiber cable. For those wishing to configure the HDN-X10 EditcamHD camcorder for studio operation, the FE-C100A camera-side unit clips to the HDN-X10’s battery mount and connects to the FE-B100A base-station unit via SMPTE fiber cable.
Improved LCD Monitor Performance A longtime leader in the manufacture of reference-grade video monitors, Ikegami’s growing line of multi-format color LCD HDTV/SDTV models provide a space-saving, compact solution for such environments as mobile production trucks, large HD control rooms, and camera-equipped aircraft. At NAB 2007 Ikegami will unveil the HLM-1710R, a 17-inch HD/SD multi-format color monitor that integrates a revolutionary new LCD panel with a significantly improved total angle of view of 170 degrees. The new HLM-1710R also provides improved rendition of flesh tones and other visuals that demand critical viewing in broadcast television and professional video studios. Other Ikegami monitors range from the multi-format 22-inch HLM-2200 HD/SD LCD to the V-R18P, which features eight 1.8-inch LCD screens on a single tilt-up rack unit. [2]
[edit] LINK RESEARCH
NAB Booth C2907
Wireless camera system manufacturer Link Research will show camera control for Sony and Thomson/ Grass Valley cameras at NAB, along with a high powered transmitter for use in cars, trucks and helicopters.
Camera control is a key feature for operating wireless cameras alongside cabled cameras. Link’s systems, with their almost imperceptible delay of 40 ms, are often chosen for such multi-camera situations, and camera control gives Link’s wireless camera systems yet another capability of the cabled cameras.
Link Research is known for its award-winning LinkXP range of low-delay wireless cameras which includes LinkHD, a wireless camera system for High Definition broadcast. During 2006, LinkHD was regularly used at top US events including Superbowl, Monday Night Football and the Ryder Cup. Now, there are LinkHD systems at most of America’s best-loved sports events, with typically 6-8 systems at the PGA Golf Tournament and the NASCAR races.
With Link’s new Sony or Thomson /Grass Valley camera control, camera controls such as Iris and colour balance can be controlled from the manufacturer’s control panel, even over fibre networks covering long distances. The cameraman still has the essential settings at his fingertips.
Cameras supported are: Thomson /Grass Valley LDK-6000 using Grass Valley OCP400 and all Sony cameras using the system 700 protocol.
Also new at NAB this year is Link’s High Power TX system, a complete, portable high power COFDM system in a flight case. Suitable for SD or HD, this works directly from automobiles, trucks and helicopters.
Link will also show its fibre optic extender system which allows Link downconverters to be located remotely, connected by fibre optic cable. This will be working at the booth.
[edit] NETWORK ELECTRONICS
NAB Booth SU10605
Network Electronics will Target the High-end Broadcast Market at NAB 2007 with Additions to Flashlink Range
Optical Transport Line will Boost Functionality and Optimize Investment
Network Electronics, acknowledged as a pioneer in innovative fiber optical transport solutions, will strengthen its leadership position in all segments of the broadcast industry by launching a complement of Flashlink products at NAB2007 developed to boost functionality and optimize investments. Network Electronics is an environmental friendly company. All products have low power consumption, and are fully compliant with the RoHS and WEEE directives.
The new products, an all-in-one SDI/AES embedder / de-embedder, a high performance, compact DWDM multiplexer / de-multiplexer, as well as a family of EDFAs, multi-channel, all optical amplifiers for DWDM will be demonstrated in Booth SU 10605 of the Las Vegas Convention Center.
New Flashlink products to be introduced:
AV-SD-XMUX
Ideal for high-end studios and outside broadcasting or mobile applications where timing is critical, Network Electronics’ new audio / video AV-SD-XMUX audio embedder / de-embedder will bring additional audio processing functionality and flexibility to the award-winning Flashlink line. Aimed at the professional broadcast market, the AV-SD-XMUX embeds / de-embeds AES audio streams in the video stream and can be equipped with high-performance optical fiber interfaces. Its capability to embed and de-embed 4 AES signals simultaneously (and daisy-chain up to 8 AES signals) simplifies operations and reduces the inventory of spares traditionally required.
Key features include:
•Copy and shuffle AES groups without delay with a 5x4 AES group router
•Built-in 18x16 AES router with 4 individual audio delay lines
•AES inputs with sample rate conversion from 30 to 200kHz - allows embedding/de-embedding of multiple audio sources
•Interoperable with all other Flashlink SDI/AES embedders and de-embedders
•Audio processing within each AES group – enables stereo channel swapping and mono or sum processing from stereo signals
•Self-configuring when used with Networks Electronics GYDA-SC controller for on-the-fly card replacement
•Optional with optical interfaces for 1310nm, 1550nm or up to 16 CWDM wavelengths
•On-board audio and video signal generators
FR-2RU-DWDM-MUX40-C
A high performance 40-channel DWDM (Dense Wavelength Division Multiplexing) multiplexer and de-multiplexer, the FR-2RU-DWDM-MUX40-C has industry leading back-to-back insertion loss of 5.5 dB including connector losses, making it the ideal solution for broadcasters who need to squeeze every extra mile out of their DWDM, and for network owners that provide backhaul services for broadcasters and channel owners. DWDM significantly reduces the number of fibers needed thus reducing fiber lease cost.
Key features include:
•C-band 100GHz channel spacing according to ITU-T G.694.1
- Ensures interoperability with other standards-based DWDM systems
•0.5dB channel uniformity - ideal for uni-directional use with Erbium Doped Fiber Amplifiers (EDFAs)
•This all-optical device fits in a standard Flashlink frame - no maintenance needed, no power needed
•Signals can be uni- or bi-directional – supports digital video and gigabit Ethernet running on different wavelengths
•Signal and bit-rate transparent
- SDI, HD-SDI, Gigabit Ethernet and SDH/SONET run independently on separate wavelengths
- Support also for 3Gbps or 10Gbps per wavelength
•Telcordia GR-1221 qualified
EDFA-Booster & EDFA-Preamp
Network Electronics’ will introduce the EDFA-Booster & EDFA-Preamp at NAB to enable broadcasters to maximize their investment in a DWDM infrastructure by providing multi-channel, all-optical amplification. The EDFA-Booster & EDFA-Preamp simultaneously boosts up to 40 DWDM-channels enabling the distance covered by fiber backhaul to be maximized and allowing broadcasters to upgrade their signal distribution from SD to HD over DWDM without needing to invest in infrastructure upgrades such as optical-to-electrical-to-optical in-line signal regeneration. Such gains are even more impressive when EDFA technology is deployed in conjunction with the newly launching FR-2RU-DWDM-MUX40-C.
Network Electronics EDFA solution is extremely compact and extends the reach of the local network to remote locations, increasing functionality and lowering total cost of ownership. In addition, service providers offering traditional broadcast services over SDH/SONET can now deploy Flashlink EDFAs to increase the profitability and reach of their current infrastructure. Through covering the C-band, the Network Electronics EDFA solution allows network owners to provide DWDM backhaul solutions on behalf of broadcast and channel owner clients.
[edit] NVIDIA
NVIDIA Corporation at NAB 2007 – Booth #SL325
NVIDIA, the worldwide leader in programmable graphics processor technologies, will showcase new Ultra High-End Quadro FX professional graphics solutions, powering the most demanding broadcast and digital content creation solutions in the industry. The newest Quadro FX professional graphics will highlight CUDA, a fundamentally new architecture for computing on NVIDIA graphics processing units (GPUs). NVIDIA will also spotlight next-generation Quadro Plex Visual Computing Systems (VCS), the first dedicated VCS (available as a desktop or dense 3U rackmount configuration), that can power multiple streams of 4K high-definition video, 3D styling, design and rendering, and visual simulation applications.[3]
[edit] OMNITEK
Innovative test and measurement manufacturer OmniTek will be demonstrating an exciting range of new features for its award-winning products on booth SL 9705 at NAB 2007. Updates include: A high-performance eye pattern and jitter analysis module available for the TQ, XR, and LAB waveform monitors; enhanced audio analysis options for the TQ and XR; and improved error logging and reporting capabilities for TQ, XR, and LAB.
The new eye and jitter module supports all SD and HD serial digital video formats, and provides a wide range of analysis capabilities including high-resolution colour-mapped eye diagrams, FFT jitter spectrum analysis, cable length and jitter waveform displays. OmniTek’s managing director Mike Hodson says: “Our new eye and jitter module provides the kind of market-leading features that the broadcast industry has come to expect from OmniTek. Once again we are taking the technology to a new level, in order to provide our customers with measurement performance that is unmatched in the industry.”
The TQ and XR high-resolution waveform monitors benefit from a comprehensive upgrade to all the audio analysis options. The metering displays have been dramatically enhanced to include support for a wide range of different ballistics and graticules, such as the various Scandinavian options, BBC, and EBU specifications. Multi-channel external AES-EBU audio inputs and outputs are now fully supported, and Dolby–E metering with comprehensive metadata extraction is completely integrated into the system. Another unique feature of the OmniTek TQ is the ability to measure A/V relative lip-sync delay on the raw Dolby-E embedded data, without having to perform a decode operation.
“The range and precision of our audio monitoring capabilities now far exceeds that which is normally expected of a traditional waveform monitor,” Hodson continues. “Our design team has been working closely with major broadcasters in Europe and the USA, in order to tailor the audio monitoring options precisely to the needs of the industry.”
To assist in broadcast quality control applications, the error logging and reporting capabilities of the OmniTek system have also been significantly enhanced in new releases for LAB, TQ, and XR waveform monitors. The improved logging features include the ability to have multiple simultaneous logging sessions, a variety of different stop/start trigger mechanisms, greatly improved gamut and range error calculation mechanisms, and a new easy-to-use setup and configuration menu system.
Hodson sums up:
“Whatever the application: broadcast, post-production, transmission, or video R&D, there is an OmniTek product tailored to suit the customer’s exact needs. And with the new feature line-up for NAB 2007, we believe that in every aspect of video and audio signal monitoring, the OmniTek system provides the most advanced, flexible, and easy-to-use features available anywhere in the world.”[4]
[edit] PANASONIC
AG-HPX500 P2 HD Shoulder-Mount Camcorder Offers Full 2/3-Inch 3CCD Production Quality at 1/3-Inch Prices
At NAB2007 Panasonic will be introducing the brand-new AG-HPX500 P2 shoulder-mount camcorder, a workhorse that gives users value, quality, and flexibility in acquiring IT/HD content. The advanced P2 technology provides fast, rugged performance and ultimate IT connectivity. This big brother to the highly successful HVX200 features full production functionality with three exceptionally sensitive CCDs, support for DVCPRO HD and SD formats, 4:2:2 sampling, and independent frame encoding. The highly flexible system accepts interchangeable 2/3-inch lenses and enables global multiformat HD/SD (1080i, 720p, 480i, and 576i) acquisition, recording in 32 formats and supporting DVCPRO 50, DVCPRO, and DV. Like the amazing HVX200, the AG-HPX500 incorporates the functionality of variable frame rate options: 24p for a film look, 60p for sports, and 11 steps between 12 fps and 60 fps. Coupled with production HD lenses, these features make this camcorder the most versatile in its class at this price.
The AG-HPX500 features the solid-state reliability of Panasonic's P2HD product line, so the system is resistant to the usual wear-and-tear and environmental threats that can cause dropouts, missing time codes, or other damage. The camera holds up to four P2 cards for recording times ranging from 64 minutes (DVCPRO HD 60p) to 256 minutes (DVCPRO) based on 16-GB P2 cards. Key interfaces include IEEE 1394, USB 2.0, HD SDI/SDI, analog, component, and four audio XLR inputs. The AG-HPX500, which will be available in May, provides instant access to media, is supported by all major nonlinear editing systems and workflow products, and brings high-quality IT/HD production into the reach of productions from all areas of content creation. RRP will be below 14K Euros.
AJ-P2C016H 16-GB P2 Card Doubles Recording Capacity for P2 Camcorders and Decks
Panasonic ushered in a new era in broadcasting when it first unveiled the P2 professional plug-and-play card, which provides solid-state reliability while enabling fast IT file-based workflows. The P2 card's extremely rugged construction, compact size, light weight, large capacity, and expandability bring a new degree of mobility to content creation. At NAB2007 Panasonic will be showcasing a new addition to the low-maintenance P2 card family: the AJ-P2C016H 16-GB card.
A single AJ-P2C016H card provides record capacities of 16 minutes in DVCPRO HD, 40 minutes in native 24p in DVCPRO HD, 32 minutes in DVCPRO 50, and 64 minutes in DVCPRO. Available in May 2007, the AJ-P2C016H card offers new recording flexibility for all production applications, using the whole lineup of Panasonic's P2 camcorders. RRP will be announced at NAB 2007.
AJ-P2C032H 32-GB P2 Card Offers Fourfold Increase in Recording Capacity on Single Card
At NAB2007 Panasonic also will showcase the new AJ-P2C032H 32-GB P2 card, scheduled for release by the end of 2007. This high-capacity card provides 32 minutes of recording time in DVCPRO HD, 80 minutes in native 720p in DVCPRO HD, 64 minutes in DVCPRO 50, and 128 minutes in DVCPRO. With its tremendous storage capacity and in-the-field flexibility, the AJ-P2C032H card offers exceptional versatility in all production applications. Like other P2 cards, the AJ-P2C032H mounts directly into the PC card slot on a PC, offering instant access to recorded material for nonlinear editing or transfer without the need for digitisation.
When equipped with five AJ-P2C032H P2 cards, Panasonic's AJ-HPX2100 P2 camcorder will be able to record 160 minutes of 100-Mbps DVCPRO HD content.
AG-HSC1U AVC HD Handheld Camcorder World's Smallest Professional 3CCD AVC HD Camcorder Delivers Stunning 1080i Video
Weighing in at just 1.1 pounds, the newly released Panasonic AG-HSC1U AVCHD handheld camcorder is the world's smallest professional 3CCD AVC HD camcorder. Ideal for widescreen, high-resolution event documentation, presentation, training, coaching, and video production applications, this groundbreaking HD camcorder offers 1080i recording and the first 5.1-channel surround sound system — with a zoom mic function — to be packaged in a camera.
Because there are no moving parts, the AG-HSC1U runs silently and is less susceptible to damage from shock, vibration, and other forces. The camera's sophisticated Leica Dicomar optical lens system incorporates 13 lenses in 10 groups with 21 multicoated surfaces, and features an F1.8 lens with a 43-millimeter filter. Optical image stabilisation adds to the quality of recorded images.
The AG-HSC1U supports the advanced AVC HD (H.264) video format and records 88 minutes of video (or 41 at the highest-quality mode) on a high-speed 4-GB SDHC memory card. During operation in the field, a battery-operated 40-GB hard-disk drive (included) can hold the content of 10 4-GB SD cards. The AG-HSC1U is packaged also with HD Writer 1.0 software, which enables simple edits and recording onto DVD-R media. Professional editing software from third-party NLE vendors is available upon request.
AG-HPG10 P2 Solid-State Portable Player/Recorder Enables Viewing, Playback, and Backup Recording in the Field
Panasonic's new AG-HPG10 P2 solid-state portable player/recorder is ideal for in-the-field viewing, playback, and backup recording for broadcast, production, independent filmmaking, event coverage, and more. In addition to providing playout of audio, video, and clip thumbnails from two P2 card slots, the new player/recorder enables backup to an external hard drive or other supported storage device via an IEEE 1394 or USB 2.0 connection. The HD-SDI output can be used for nonlinear editing, monitoring, or for microwave transmission.
The AG-HPG10 features a built-in speaker, a flip-up 3.5-inch LCD monitor, and easy-to-use controls for recording and playout. The system can automatically downconvert HD content to SD and is capable of playing media out in multiple formats including 1080i (24p, 24pA, 25p, 30p, 50i, 60i), 720p (24p, 24pN, 25p, 25pN, 30p, 30pN, 50p, 60p), 576i (25p, 50i), and 480i (24p, 24pA, 30p, 60i). Despite its heavy-duty, shock-resistant design, the compact unit measures just 10.16 centimetres by 8.64 centimetres by 12.19 centimetres and weighs less than 1 kilogram (2.2 pounds).
BT-LH80W 7.9-Inch LCD Monitor/Viewfinder Provides Production-Quality HD Monitoring With Viewfinder Setup
Small enough for use as an electronic viewfinder, the new BT-LH80W 7.9-inch LCD monitor/viewfinder from Panasonic offers high-performance HD/SD production monitoring in field production. The BT-LH80W supports HD and SD formats including 1080/24PsF, 1080i, 720p, 480p, and 480i. With the industry's lowest delay and a variety of colour and focus controls, this new device provides superior image quality. In addition to colour-temperature controls, adjustable gamma, and blue-only and frame markers, the BT-LH80W features a Focus-in-Red function, which works with any camera, and a Pixel-to-Pixel Matching feature that allows users to see the input-signal pixel ratio (800x450, 1920x1080).
An all-in-one design just 6.35 centimetres deep, light weight of just 1.5 kilograms (3.3 pounds), and low power consumption make the BT-LH80W a convenient and highly portable solution for mobile applications. The monitor/viewfinder features a built-in waveform monitor and is available also with an HD-SDI input module, dual rack-mount kit, custom hood, adjustable mounting arm, and 15- to 20-pin and DC cable kit.
AV-HS300 Portable HD/SD Switcher Adding Versatility to Live-Event Production
Panasonic's AV-HS300 is a portable HD/SD switcher intended for live production of sports and entertainment events, and for use in any venue, such as a theater, lecture hall, or college auditorium, in which high-quality images require mixing through a compact video switcher. This live switching system accepts five video inputs, HD-SDI or SDI, with a DVI input and optional HD analog component inputs. It is capable of switching 1080/59.94i, 1080/50i, 720/59.94p, 720/50p, 480/59.94i, and 576/50i PAL signals, allowing users to work with a broad range of video sources including signals from PCs. An integrated 10-bit six-channel frame synchronizer stabilises output images. The AV-HS300 can be deployed with Ethernet or RS-422 control. The quality of this outstanding unit far surpasses the functionality of other switchers in this price range.
[edit] P+S TECHNIK
P+S Technik received a renown reputation as a competent and professional partner for solutions and products of the highest level in the cine world. When best known for its film camera conversions, P+S Technik developed with the image converters PRO35 and Mini35 land mark products for digital video. Camera service, specialized optics, SKATER Mini dolly and the Weisscam digital highspeed camera complete the company program 2007.
New Product Listing NAB 2007
SKATER Control
P+S Technik presents a high demanded accessory for the SKATER Mini camera dolly. Motorizing the dolly movement with the SKATER Control and optimizes the smoothness in the move.
The SKATER Control is a single axis remote control and works perfectly with the P+S Technik motor.
• Adjust speed of the movement
• Set start and stop points for movement
• Program ramps for smooth start / stop of movement
SKATER Tilt Module
The SKATER Tilt Module combines the flexibility of a fluid head with the sophisticated camera moves of the SKATER Mini Dolly. It offers the convenience of a common fluid damping system with a fully adjustable drag function.
• Fast setup
• Ideal for low lens positions
• Arri 235 camera can be mounted with the side bracket
• Various camera types can be mounted with an L-bracket
SKATER Scope
The SKATER Scope is the first truly compact periscope lens system providing all the creative freedom you want.
• Tilt element can be adjusted from -105° to +105°
• Lens block pivots full 360°
• Full 360° unlimited optical image rotation
• Back focus extends close focus to macro
• Superiour image quality, covers S35
• T 5.6
• Camera mounts: PL or Panavision
• Video version for HD/SD with B4 camera mount available
• Lens mounts: PL, Panavision, Nikon or Leica M available
WEISSCAM
P+S Technik presents: a digital video highspeed camera
• Recording speeds from 1 frame per 4 sec. up to 1000 fps
• Maximum image size 1280 x 1024 pixel, HD 1280 x 720 pixel
• Output format: uncompressed TIFF or AVI
• Dynamic range: 24bit color depth
• Camera mounts: PL-Mount, Nikon F-Mount
[edit] PIXEL POWER
Pixel Power is to bring real time 3D animation without the need for specialist operators to the USA at NAB2007 with the stateside debut of CG-3D. In addition, the graphics leader is to demonstrate Logovision for HD at SD price, the revolutionary ‘newsroom in a box’ concept, graphics integration with ENPS v5 and enhanced Clarity Control Toolbox data controls.
CG-3D Pixel Power’s CG-3D is the latest option for its Clarity range of SD/HD switchable graphics generators. It offers true realtime 3D animation with parametric control of elements, lighting and moves. Capable of both automated control and input, CG-3D is a field upgrade for existing Clarity HD/SD systems and requires no 3D experience on the part of the operator.
Complex models can be imported from specialist 3D systems (including Autodesk 3ds) and can be edited – or new ones created – with built-in controls, parametric primitives, lighting control and keyframe structure. 2D text and graphics layers from Clarity can be texture-mapped onto 3D models, including live video feeds, animated text, cell animations, images and clocks. Automated data input – for example from sports statistics systems – can be fed directly onto the surfaces of 3D objects.
Logovision LogoVision is a new switchable SD/HD logo generator which incorporates Clarity’s display technology. Designed for automated operation, the compact unit inserts multiple clocks, multi-layer static and animated logos, text crawls, 2D DVEs of live inputs, audio overlay and other graphics. LogoVision can be set up from a front panel interface or via a web browser.
Newsroom in a Box Pixel Power is also to unveil its ‘newsroom in a box’ at NAB2007, a revolutionary concept in consolidated broadcast systems that replaces a separate production switcher, DVE, vision mixer and audio mixer.
ENPS v5 Integration In addition, the company is to announce integration of its Clarity family of character generators with ENPS v5, which offers graphics previews in the timeline for the first time. Its new script media pane enables journalists to instantly see all the graphics associated with the story. Pixel Power collaborated at an early stage with ENPS to make use of these new facilities and will demonstrate the deliverable solution to the US market for the first time at NAB.
Clarity Control Toolbox Data Controls The graphics leader will also demonstrate the latest version of its Clarity Control Toolbox, which includes revolutionary data-gathering tools. The tools support RSS feeds and XML data to ease integration of data sources and automatically update on-air graphics such as stock tickers and live games programmes.
Clarity Control Toolbox is a simple development environment for creating realtime custom data entry and control programs for Clarity graphics systems. Clarity supports multiple simultaneous connections allowing for data entry and playout control from several locations at the same time.
“Now that graphics are an integral part of practically every broadcast, incorporating them into the broadcast workflow should be simple and streamlined,” says Gilbert. “Pixel Power’s latest innovations cut out unnecessary steps to get graphics to screen efficiently.”
[edit] RED
[edit] SNELL AND WILCOX
[edit] SONIC SOLUTIONS
At NAB 2007, Sonic is showcasing its latest products and technologies that leverage the emergence of new formats, platforms and distribution channels to enable unique digital media experiences from Hollywood to the home...
Highlights include multiple product debuts including updated versions of Sonic's world-class Blu-ray Disc and HD DVD authoring and encoding solutions. Sonic will also provide visitors with a unique opportunity to experience first hand some of the new HD DVD and BD titles created using its applications.
At NAB, Sonic will also feature demonstrations of its new Scenarist Publisher, a unique "author once, publish many" approach that automates the authoring workflow to leverage authoring time across multiple titles, vastly increasing productivity while drastically reducing QC requirements.
The Scenarist Publisher platform is also being developed to help authoring studios prepare back-catalog video entertainment for electronic sell-through and therefore, plays an important role in Sonic's DVD-on-demand initiative, which provides a complete technology platform for enabling the digital distribution of Hollywood content that can be burned to DVD.
NAB will also be used by Sonic as a platform to announce new customer agreements and a key industry partnership.
Sonic's stand number: SL4314
[edit] TEKTRONIX
Tektronix New Product Highlights at NAB 2007 Booth – 2519, North Hall
MTM400 for MPEG over IP/IPTV The MTM400 MPEG Transport Stream Monitor now provides simultaneous monitoring of critical Key Performance Indicators (KPIs) for up to 500 MPEG Transport Streams carried within a Gigabit Ethernet link. The simultaneous monitoring of up to 500 IP sessions includes critical MPEG Transport Stream errors (Sync and Continuity Count), IP packet errors (Lost and Out of Order RTP packets and packet CRC errors) and IP timing (Packet Inter-arrival time). Also newly available is automatic channel changing capability to sequentially poll multiple streams for the MTM400. This capability allows up to 200 IP sessions to be monitored in depth. The polling option is also available for the MTM400 with RF interfaces, where it allows for polling of up to 200 RF channels. The Polling option significantly enhances the financial viability of large monitored network deployments that can include large numbers of IP sessions or RF channels.
New WVR7000 HD Rasterizers The new WVR7000 HD Rasterizer excels at simple video and audio monitoring, and includes options for SD video, composite video, AES-EBU and analog audio. The WVR7000 is well suited for camera color calibration and setup in production, and for color correction and verification of non-compressed audio in the editing suite.
MTX100B MPEG Portable Analyzer The MTX100B now includes real time monitoring and off line analysis in addition to the existing MPEG transport stream generation and recording capabilities. It is small, light, and robust and easily travels with you (including in an aircraft overhead locker) It is ideally suited for field installation, commissioning and debug of complex MPEG transmission systems.
CerifyLite for Automated file based Content Verification CerifyLite is a new PC software package for the content verification of file based video. CerifyLite provides a full range of encoding and baseband tests. This includes extensive testing of file compression, quantization, bitrate, format tests and baseband type video tests for letterbox/pillarbox, gamut, luma, chroma, and video signal levels. Audio tests include audio peak and minimum level, audio loss, clipping, mute, and test tones on audio channels. It is ideal for post production and content houses that need to check that file-based video is correct before it is delivered to a broadcaster.
SyncCert™ Audio/Video Sync Measurement and Checking SyncCert is a new software package that checks and measures the audio and video synchronization of file-based video content. Broadcasters use it for checking audio/video synchronization after capture at any point in the broadcast chain. Content providers use it for checking production/encoding chain to ensure that it is not introducing audio/video sync errors. SyncCert provides a systematic, reliable, and accurate means of detecting audio/video sync errors well before they are severe enough to be visually detected.
Also highlighted at NAB will be the VM6000, an automatic video measurement set that runs on a new hardware platform and replaces the VM5000. Equipped with high-speed signal acquisition hardware, optimized video measurement algorithms, and an integrated, high performance oscilloscope, the VM6000 offers unmatched performance and flexibility for users testing modern consumer digital television (DTV) reception and play-out devices. The VM6000 is the ideal solution for testing component analog video signals; it is capable of testing SD (480i, 480p, 576i and 576p) and HD (720p, 1080i and 1080p) video formats to user selected tolerance limits delivering fully automated, go/no go results. It will automatically detect video format, which speeds up work and helps to ensure accurate measurement. The optional SD/HD model provides new capabilities, including H/V synchronous measurement and distortion measurement.
[edit] TELECAST
New Products on Display at NAB2007:
New Telethon™ Transmitter/Receiver/Teleport System Python™ and Teleport™ functionality in one device The new Telethon transceiver system is a hybrid device featuring the functionality of Telecast's Python II series of transmitters and receivers in combination with the CWDM wavelength management functionality of the company's Teleport system. The Telethon unit accepts both optical and electrical digital signals, ranging from 19.4 Mbps up to 1.5 Gbps uncompressed HD/SDI, and multiplexes them for transmission in either or both directions, with up to 16 optical signals on one fiber, significantly increasing fiber capacity. The Telethon is interoperable with most other Telecast products.
Adder™ II Series Featuring Adder II BoothPak Analog and digital audio-trunking in one convenient box The successor to the widely used Adder™ 162 and 322, this new front-of-house/announce booth Adder is a single-box solution for larger point-to-point audio applications. Featuring factory-configurable modules, the new Adder II BoothPak handles analog audio and digital AES audio while converting between them. With an integrated signal generator and analyzer, plus facilities for data, intercom, and optical redundancy, this Adder makes even complicated audio setups painless.
G2 CopperHead™ Next-generation camera-mounted fiber optic transceivers During the NAB2007 exhibition, Telecast will showcase its next-generation G2 CopperHead camera-mounted transceivers. The modular G2 CopperHead solution is available in, and convertible to, several configurations, including 40-pin SDI, 50-pin HD/SDI, component/composite analog ENG, and digital “cine,” through a simple change of input/output mounting “sleds.” Certain models include signal-processing capabilities from industry-leader Miranda Technologies in a compact camera-mounted adaptor that connects directly between the camera and its battery. Viper™ II 6000 Series Latest series of RoHS-compliant products Telecast is launching its 6000 Series RoHS-compliant Viper™ II modules, power supplies, and frames. The new modules are intended for analog video, with two or four analog audio channels plus data (TX6122); SDI/HD-SDI transport (TX6292); bidirectional SDI/HD-SDI transport (TR6292); dual-stream HD (TX6372); and SDI plus dual AES (TX6269). The 6000 Series also includes a new reclocking HD/SDI distribution amplifier (DA6040).
Enhanced HDX Unit for SHED™ Cable Elimination System Intuitive functionality and convenience in camera-power unit Telecast's popular SMPTE Hybrid Elimination Device (SHED) adapter features a redesigned HDX camera power unit that offers more operational information about camera signal and power status. With new options, including optical metering and remote camera power command, the HDX unit makes it easier for crews to maintain and manage their HD camera systems.[5]
[edit] ZANDAR
Zandar Enhances Predator HD Series line-up with Dual HD functionality
Zandar Technologies have enhanced their Predator Series of MultiViewers by now offering Dual HD output functionality, whereby a single MultiViewer can drive one or two displays at native HD resolution. Zandar has also advanced their UMD and tally processing, fonts, alarming and Z-Controller operation. All these superior features will be showcased on the Zandar stand at the NAB 2007 show to the USA and International broadcast and production community. The Dual HD at 50Hz and 60Hz enhancement applies to the Predator HD4, HD8, HD12 and HD16. Each unit combines a mixture of SD and HD signals, including 720p and 1080i, offering unprecedented image quality, operational flexibility and space saving benefits. With a superb high resolution output on DVI, another major benefit is the cost effectiveness over the use of HD monitors. Deirdre Smith, CEO at Zandar Technologies states: “We’ve now enhanced our Predator HD range making them even more effective and versatile for broadcast monitoring and professional video applications. So far our Predator Range has made a tremendous impact in the outside broadcast market as well as production studios where space is prime real-estate.” Dual HD is not the only enhancement to the series. UMD and Tally functionality has been improved whereby tally display can be indicated by border color changes. Static and dynamic UMD display is also provided. Improved GPI features include automatic user triggers for full-screen and layout changes. The alarming function has also been enhanced with the addition of border color changes once an alarm is activated.
Multi-system configuration and control is made easy with significant enhancements to the Z-Configurator software user interface, and the new Z-Controller software. Systems can be combined into walls with various presets or scenarios. Z-Controller gives immediate operator control of the wall for scenario changes whether scheduled or on alarm activation, and provides visual indication of fault conditions and an alarm logging tool.
The Predator HD MultiViewer has taken the global outside broadcast community by storm. Since 2005, Predator MultiViewers have been deployed in trucks for tpc, Switzerland’s largest TV production company; for SBP Italy, a large OB production and post production company who specialize in major events and sports coverage; and for Arqiva in the UK, among others. Arqiva, a leading provider of transmission services for broadcasters, favors Predator HD8 MultiViewers for use on HD content provision for Championship Football for Sky Sports and Sky HD.
Now gaining a foothold in the US remote production market, the Zandar Predator HD8 MultiViewer is used in the new HD capable 53’ mobile truck for New Orleans based Yes Productions. In a system designed and integrated by Beck Associates, Yes Productions shall proudly show their new truck at NAB in Las Vegas. More information can be found at www.yesproductions.com. Meanwhile the Predator HD12 MultiViewer is being used in a HD Flypack System for Worldwide Satellite Communications. The Flypack is used for compact, convenient, flexible programme production intended for medical audiences and as an educational tool.
The full range of Zandar Predator, FusionPro+ and DX Series MultiViewers are on view on Zazndar’s booth #SU2729 at NAB 2007 starting April 16th in Las Vegas.
