Tom and Jerry

212,700pages on
this wiki
Add New Page
Add New Page Discuss this page0

Welcome to the Tom and Jerry mini wiki at Scratchpad!

You can use the box below to create new pages for this mini-wiki.


Title card from 1950

Tom and Jerry is a series of animated theatrical shorts created by William Hanna and Joseph Barbera for Metro-Goldwyn-Mayer that centered on a never-ending rivalry between a housecat (Tom) and a mouse (Jerry) whose chases and battles often involved comic violence. Hanna and Barbera ultimately wrote and directed one hundred and fourteen Tom and Jerry cartoons at the MGM cartoon studio in Hollywood, California between 1940 and 1957, when the animation unit was closed. The original series is notable for having won the Academy Awards for Best Short Subject (Cartoons) seven times, tying it with Walt Disney's Silly Symphonies as the theatrical animated series with the most Oscars.

Beginning in 1960, in addition to the originals MGM had new shorts produced by Rembrandt Films, led by Gene Deitch in Eastern Europe. Production of Tom and Jerry shorts returned to Hollywood under Chuck Jones's Sib-Tower 12 Productions in 1963; this series lasted until 1967, making it a total of 161 shorts. The cat and mouse stars later resurfaced in television cartoons produced by Hanna-Barbera and Filmation Studios during the 1970s, 1980s, and 1990s, a feature film, Tom and Jerry: The Movie, in 1992 and released domestically in 1993 and in 2000, their first made-for TV short, Tom and Jerry: The Mansion Cat for Cartoon Network. The most recent Tom and Jerry theatrical short, The KarateGuard, was written and co-directed by co-creator Joe Barbera and debuted in Los Angeles cinemas on September 27, 2005.

Today, Time Warner (via its Turner Entertainment division) owns the rights to Tom and Jerry (with Warner Bros. handling distribution). Since the merger, Turner has produced the series, Tom and Jerry Tales for The CW's Saturday morning "The CW4Kids" lineup, as well as the recent Tom and Jerry short, The KarateGuard, in 2005 and a string of Tom and Jerry direct-to-video films - all in collaboration with Warner Bros. Animation.

There are a total of 162 theatrical shorts starring Tom and Jerry. For a list of all the Tom and Jerry theatrical shorts, see list of Tom and Jerry cartoons. For a list of all the Tom and Jerry Tales episodes, see list of Tom and Jerry Tales episodes.

Plot and format

The plots of each short usually center on Tom's numerous attempts to capture Jerry and the mayhem and destruction that ensues. Since Tom rarely attempts to eat Jerry and because the pair actually seem to get along in some cartoon shorts, it is unclear why Tom chases Jerry so much. Some reasons given may include normal feline/murine enmity, duty according to his owner, Jerry's attempt at ruining a task that Tom is entrusted with, Jerry eating Tom's master's food which Tom has been entrusted with safeguarding, revenge, Jerry saving other potential prey (such as ducks, canaries, or goldfish) from being eaten by Tom, competition with another cat, and Jerry ruining Tom's attempts to seduce feline femme fatales of which Jerry does either out of disgust or jealousy, among other reasons.


The second Tom and Jerry title card, which was used from 1943 to 1944. These cards are no longer seen on re-issue prints or re-runs.

Tom rarely succeeds in catching Jerry, mainly because of Jerry's cleverness, cunning abilities, and luck. Interestingly enough, many of the title cards show Tom and Jerry smiling at each other which seems to depict a love-hate relationship rather than the extreme annoyance each displays towards the other in each cartoon. There are also several instances within the cartoons where they display genuine friendship ("Springtime for Thomas") and concern for each other's well-being (such as in "Jerry and the Lion" where Jerry in one instance tricks Tom into thinking he has shot Jerry, and Tom comes running with the first aid kit).


Tom and Jerry title card used in the early 1950s, and some reissues of 1940s shorts. A modified version of this card was used on the CinemaScope releases in 1954 and 1955.

The short episodes are famous for some of the most violent gags ever devised in theatrical animation: Jerry slicing Tom in half, shutting his head in a window or a door, Tom using everything from axes, pistols, explosives, traps and poison to try to murder Jerry, Jerry stuffing Tom's tail in a waffle iron (and also into what it seems as an old washing machine once), kicking him into a refrigerator, plugging his tail into an electric socket, pounding him with a mace, club or mallet, causing a tree or an electric pole to drive him into the ground, sticking matches into his feet and lighting them, and so on.[1] Despite all its popularity, Tom and Jerry has often been criticized as excessively violent.[2]Template:Rp[3]Template:Rp Despite the frequent violence, there is no blood or gore in any scenes in the original cartoons that made the pair a household name. However, in a very rare instance, when Tom gets sliced into pieces in the opening credits of Tom and Jerry:The Movie, blood is clearly visible. A recurring gag involves Jerry hitting Tom when he's preoccupied, with Tom initially oblivious to the pain—and only feeling the effects moments later, and vice versa; and another involves Jerry stopping Tom in midchase (as if calling for a time-out), before he does something, usually putting the hurt on Tom.


Tom and Jerry title card used in 1956.

The cartoon is also noteworthy for its reliance on stereotypes, such as the blackening of characters following explosions and the use of heavy and enlarged shadows (e.g., Dr. Jekyll and Mr. Mouse). Resemblance to everyday objects and occurrences is arguably the main appeal of visual humor in the series. The characters themselves regularly transform into ridiculous but strongly associative shapes, most of the time involuntarily, in masked but gruesome ways.


The final Tom and Jerry title card used in 1956 until the final Hanna and Barbera short in 1958, all shorts with this title card had their soundtracks recorded in Perspecta, other Hanna-Barbera shorts are mono.

Music plays a very important part in the shorts, emphasizing the action, filling in for traditional sound effects, and lending emotion to the scenes. Musical director Scott Bradley created complex scores that combined elements of jazz, classical, and pop music; Bradley often reprised contemporary pop songs, as well as songs from MGM films, including The Wizard of Oz and Meet Me In St. Louis. Generally, there is little dialogue as Tom and Jerry almost never speak, however minor characters are not similarly limited. For example, the character Mammy Two Shoes has lines in every episode in which she appears except The Little Orphan. Most of the dialogue from Tom and Jerry are the high-pitched laughs and gasping screams, which may be provided by a horn or other musical instrument.

Before 1954, all Tom and Jerry cartoons were produced in the standard Academy ratio and format; from late 1954 to 1955, some of the output was dually produced in both Academy format and the widescreen CinemaScope process. From 1956 until the close of the MGM cartoon studio a year later, all Tom and Jerry cartoons were produced in CinemaScope, some even had their soundtracks recorded in Perspecta directional audio. The 1960s Gene Deitch and Chuck Jones shorts were all produced in Academy format, but with compositions that made them compatible to be matted to Academy widescreen format as well. All of the Hanna and Barbera cartoons were produced in three-strip Technicolor; the 1960s entries were done in Metrocolor.


Main Characters


Thomas "Tom" Cat.

Tom and Jerry

Tom is a blue-grey tomcat, who lives a pampered life, while Jerry is a small brown house mouse who always lives in close proximity to him. "Tom" is a generic name for a male cat or tomcat (the Warner Bros. cartoon character Sylvester was originally called "Thomas"). Tom was originally called "Jasper" in the very first short, Puss Gets the Boot, while Jerry was named Jinx. Tom is very quick-tempered and thin-skinned, while Jerry is independent and opportunistic. Jerry also possesses surprising strength for his size, lifting items such as anvils with relative ease and withstanding considerable impacts with them. Despite being very energetic and determined, Tom is no match for Jerry's brains and wits. By the final "iris-out" or "fade-out" of each cartoon, Jerry usually emerges triumphant, while Tom is shown as the loser. However, other results may be reached; on rare occasions, Tom triumphs, usually when Jerry becomes the aggressor or when he crosses some sort of line (the best example of which occurs in The Million Dollar Cat where, after finding out that Tom's newly acquired wealth will be taken away if he harms any animal, including a mouse, he torments Tom until Tom finally loses his temper and attacks him). Sometimes, usually ironically, they both lose, usually when Jerry's last trap potentially backfires on him after it affects Tom (An example is in Chuck Jones' Filet Meow short where Jerry orders a shark to scare Tom away from eating a goldfish. Afterwards, the shark scares Jerry away as well) or when Jerry overlooks something at the end of the course. Sometimes, they both end up being friends (only for something to happen so that Tom will chase Jerry again). Both characters display sadistic tendencies, in that they are equally likely to take pleasure in tormenting each other. However, depending on the cartoon, whenever one character appears to be in mortal danger (in a dangerous situation or by a third party), the other will develop a conscience and save him. Sometimes, they bond over a mutual sentiment towards an unpleasant experience and their attacking each other is more play than serious attacks. Multiple shorts show the two getting along with minimal difficulty, and they are more than capable of working together when the situation calls for it, usually against a third party who manages to torture and humiliate them both. In one short, Tom first meets Meathead and he and the mangy mutt attempt to catch Jerry. But when Tom's devil forces him to hurt Meathead by beheading him, instead of beheading him, it causes a lump.

Despite five shorts ending with a depiction of Tom's apparent death, his demise is never permanent; he even reads about his own death in a flashback in Jerry's Diary. He appears to die in explosions in Mouse Trouble (after which he is seen in heaven) and in Yankee Doodle Mouse, while in The Two Mouseketeers he is guillotined offscreen.


Jerry Mouse.

Although many supporting and minor characters speak, Tom and Jerry rarely do so themselves. Tom, most famously, sings while wooing female cats; for example, Tom sings Louis Jordan's "Is You Is Or Is You Ain't My Baby" in the 1946 short Solid Serenade. In a couple of shorts, Tom, when romancing a female cat, woos her in a French-accented voice similar to that of screen actor Charles Boyer. Co-director William Hanna provided most of the squeaks, gasps, and other vocal effects for the pair, including the most famous sound effects from the series, Tom's leather-lunged scream (created by recording Hanna's scream and eliminating the beginning and ending of the recording, leaving only the strongest part of the scream on the soundtrack) and Jerry's nervous gulp. The only other reasonably common vocalization is made by Tom when some external reference claims a certain scenario or eventuality to be impossible, which inevitably, ironically happens to thwart Tom's plans - at which point, a bedraggled and battered Tom appears and says in a haunting, echoing voice "Don't you believe it!", a reference to some famous World War II propaganda shorts of the 1940s. In one episode, Tom hires a mouse exterminator who, after several failed attempts to dispatch Jerry, changes profession to Cat exterminator by crossing out the "Mouse" on his title and writing "Cat", resulting in Tom spelling out the word out loud before reluctantly pointing at himself. One short, 1956's Blue Cat Blues, is narrated by Jerry in voiceover (voiced by Paul Frees). Both Tom and Jerry speak more than once in the 1943 short The Lonesome Mouse. Tom and Jerry: The Movie is the first (and so far only) installment of the series where the famous cat-and-mouse duo regularly speak to both humans and other anthropomorphic animals; it is possible that Tom and Jerry do have full speech capabilities, but choose not to use them aside from a few short phrases, preferring to leave the talking to other characters.

Recurring characters

Spike and Tyke

Spike and tyke

Spike the bulldog and his son Tyke, in the 1951 Tom and Jerry short Slicked-up Pup.

In his attempts to catch Jerry, Tom often has to deal with the intrusions of Butch, a scruffy black alley cat who wants to catch and eat Jerry, and Spike (sometimes billed as "Killer" or "Butch"), an angry, vicious guard bulldog who tries to attack Tom for bothering his son Tyke (sometimes called "Junior") while trying to get Jerry. Spike spoke often, using a voice and expressions (performed by Billy Bletcher and later Daws Butler) modeled after comedian Jimmy Durante. Spike's coat has altered throughout the years between grey and creamy pink. The addition of Spike's son Tyke in the late 1940s led to both a slight softening of Spike's character and a short-lived spin-off theatrical series (Spike and Tyke).

Butch and Toodles Galore

PDVD 038

Butch and Toodles Galore, in the 1946 Tom and Jerry short Springtime for Thomas.

Tom changes his love interest many times. The first love interest is Sheikie and speaks in a haughty tone in The Zoot Cat, and calls him "Tommy" in The Mouse Comes to Dinner. The second and most frequent love interest of Tom's is Toodles Galore, who never has any dialogue in Tom and Jerry cartoons.

Mammy Two Shoes


From the beginning, Tom also has to deal with Mammy Two Shoes (voiced by Lillian Randolph), a stereotyped African-American domestic housemaid. In the earliest shorts, Mammy is depicted as the maid taking care of the often opulent home in which Tom and Jerry reside. Later Tom and Jerry shorts are set in what appears to be Mammy's own house. Her face is never seen (with the exception of 1950's Saturday Evening Puss, in which her face is very briefly seen as she runs towards the camera), and she usually wallops the cat with a broom when he misbehaves. When Mammy was not present, other humans would sometimes be seen, usually from the neck down as well. Mammy would appear in many cartoons until 1952's Push-Button Kitty. Later cartoons would instead show Tom and Jerry living with a 1950s Yuppie-style couple. Soon after, virtually all humans in the series had visible faces.

Tuffy, formerly Nibbles


Nibbles, the little orphan mouse, later named "Tuffy".

Tuffy is a mouse who is close to Jerry. He sometimes poses as Jerry's nephew. In many episodes, Tuffy is seen eating a lot (he's always hungry). In his first appearance, he was left on Jerry's doorstep, being abandoned by his parents because he eats too much. Tuffy appears frequently with Jerry. When he does, Tom enjoys chasing him as he does with Jerry. Strangely, in Tom and Jerry: The Magic Ring, Tuffy, once again called Nibbles, is a random mouse in a pet shop that Jerry doesn't even know.


Quacker The Duck

Quacker at the end of That's My Mommy.

Another recurring character in the series was Quacker the duckling, who was later adapted into the Hanna-Barbera character Yakky Doodle. He appears in Little Quacker, The Duck Doctor, Just Ducky, Downhearted Duckling, Southbound Duckling, That's My Mommy, Happy Go Ducky and The Vanishing Duck. Quacker talks a lot compared to Tom and Jerry. In many episodes, he is the only one who speaks. In addition. Butch also appeared as one of Tom's pals or chums as in some cartoons, where Butch is leader of Tom's buddies, who are Meathead and Topsy. The last recurring character is a small unnamed green devil that looks like Tom but has the size of Jerry. He only appears in three episodes: Springtime for Thomas, Smitten Kitten, and Sufferin' Cats!. Whenever Tom falls in love with a female cat, the devil advises Jerry to try to break the two apart in Springtime for Thomas and Smitten Kitten. In Sufferin' Cats!, when Tom and Meathead plan to split Jerry in half with an axe, he advises Tom to instead behead Meathead and keep Jerry for himself.

History and evolution

Hanna-Barbera era (1940 – 1958)

PDVD 021

Tom and Jerry creators/directors William Hanna and Joseph Barbera, with the seven Academy Awards for Best Short Subject (Cartoons) their Tom and Jerry shorts won.

Willliam Hanna and Joseph Barbera were both part of the Rudolf Ising unit at the MGM cartoon studio in the late 1930s. Barbera, a storyman and character designer, was paired with Hanna, an experienced director, to start directing films for the Ising unit; the first of these was a cat-and-mouse cartoon called Puss Gets the Boot. Completed in late 1939, and released to theatres on February 10, 1940, Puss Gets The Boot centers on Jasper, a gray tabby cat trying to catch an unnamed rodent, but after accidentally breaking a houseplant and its stand, the African-American housemaid Mammy (Later Tom's owner) has threatened to throw Jasper out ("O-W-T, out!" [as Mammy spells it]) if he breaks one more thing in the house. Naturally, the mouse uses this to his advantage, and begins tossing wine glasses, ceramic plates, teapots, and any and everything fragile, so that Jasper will be thrown outside. Puss Gets The Boot was previewed and released without fanfare, and Hanna and Barbera went on to direct other (non-cat-and-mouse related) shorts. "After all," remarked many of the MGM staffers, "haven't there been enough cat-and-mouse cartoons already?"

File:Puss Get the Boot.jpg

The pessimistic attitude towards the cat and mouse duo changed when the cartoon became a favorite with theatre owners and with the Academy of Motion Picture Arts and Sciences, which nominated the film for the Academy Award for Best Short Subject: Cartoons of 1941. It lost to another MGM cartoon, Rudolph Ising's The Milky Way.

Producer Fred Quimby, who ran the MGM animation studio, quickly pulled Hanna and Barbera off the other one-shot cartoons they were working on, and commissioned a series featuring the cat and mouse. Hanna and Barbera held an intra-studio contest to give the pair a new name by drawing suggested names out of a hat; animator John Carr won $50 with his suggestion of Tom and Jerry.[4] The Tom and Jerry series went into production with The Midnight Snack in 1941, and Hanna and Barbera rarely directed anything but the cat-and-mouse cartoons for the rest of their tenure at MGM.

Tom's physical appearance evolved significantly over the years. During the early 1940s, Tom had an excess of detail—shaggy fur, numerous facial wrinkles, and multiple eyebrow markings—all of which were streamlined into a more workable form by the end of the 1940s- and looked like a realistic cat; in addition from his quadrupedal beginnings Tom became increasingly, and eventually almost exclusively, bipedal. By contrast, Jerry's design remained essentially the same for the duration of the series. By the mid-1940s, the series had developed a quicker, more energetic (and violent) tone, due to the inspiration from the work of the colleague in the MGM cartoon studio, Tex Avery, who joined the studio in 1942.

File:Tom & Jerry-Piano Concerto 2.jpg

Even though the theme of each short is virtually the same - cat chases mouse - Hanna and Barbera found endless variations on that theme. Barbera's storyboards and rough layouts and designs, combined with Hanna's timing, resulted in MGM's most popular and successful cartoon series. Thirteen entries in the Tom and Jerry series (including Puss Gets The Boot) were nominated for the Academy Award for Best Short Subject: Cartoons; seven of them went on to win the Academy Award, breaking the Disney studio's winning streak in that category. Tom and Jerry won more Academy Awards than any other character-based theatrical animated series.


A screenshot from 1958's Tot Watchers, the final of the 114 Hanna and Barbera Tom and Jerry cartoon.

Tom and Jerry remained popular throughout their original theatrical run, even when the budgets began to tighten somewhat in the 1950s and the pace of the shorts slowed slightly. However, after television became popular in the 1950s, box office revenues decreased for theatrical films, and short subjects. At first, MGM combated this by going to all-CinemaScope production on the series. After MGM realized that their re-releases of the older shorts brought in just as much revenue as the new films, the studio executives decided, much to the surprise of the staff, to close the animation studio. The MGM cartoon studio was shut down in 1957, and the final of the 114 Hanna and Barbera Tom and Jerry shorts, Tot Watchers, was released on August 1, 1958. Hanna and Barbera established their own television animation studio, Hanna-Barbera Productions, in 1957, which went on to produce famous TV shows and movies.

Gene Deitch era (1960 – 1962)


In 1960, MGM decided to produce new Tom and Jerry shorts, and had producer William L. Snyder arrange with Czech-based animation director Gene Deitch and his studio, Rembrandt Films, to make the films overseas in Prague, Czechoslovakia. The Deitch/Snyder team turned out 13 shorts, many of which have a surrealistic quality.

Since the Deitch/Snyder team had seen only a handful of the original Tom and Jerry shorts, the resulting films were considered unusual, and, in many ways, bizarre. The characters' gestures were often performed at high speed, frequently causing heavy motion blur. As a result, the animation of the characters looked choppy and sickly. The soundtracks featured sparse music, spacey sound effects, dialogue that was mumbled rather than spoken, and heavy use of reverb. The first of the Gene Deitch shorts, Switchin' Kitten, contains an enormous amount of erratic graphical glitches, framerate errors and high-pitched, hypnotic music and sound effects that make the short almost unwatchable. These problems were never repaired, and it is widely considered today to be the absolute worst Tom and Jerry short.

Fans that typically rooted for Tom criticized Deitch's cartoons for having Tom never become a threat to Jerry. Most of the time, Tom only attempts to hurt him when he gets in his way. Tom's new owner, a corpulent white man, was also more graphically brutal in punishing Tom's mistakes as compared to Mammy Two-Shoes, such as beating and thrashing Tom repeatedly, searing his face with a grill and forcing Tom to drink an entire carbonated beverage. Surprisingly, the Gene Deitch Tom and Jerry cartoons are still rerun today on a semi-regular basis.

These shorts are among the few Tom and Jerry cartoons not to carry the "Made In Hollywood, U.S.A." phrase at the end. Due to Deitch's studio being behind the Iron Curtain, the production studio's location is omitted entirely on it.

The episodes created by Dietch have generally been less favorable by the general audience than the rest of the series, mainly because of the sloppy animation.

Chuck Jones era (1963 – 1967)

Tom and Jerry
File:Tom And Jerry Title09.JPG
The title card for the Chuck Jones-produced Tom and Jerry cartoons.
Directed by Chuck Jones
Maurice Noble
Ben Washam
Abe Levitow
Tom Ray
Jim Pabian
Produced by Chuck Jones
Walter Bien
Les Goldman
Earl Jonas
Written by Michael Maltese
Jim Pabian
Bob Ogle
John W. Dunn
Irv Spector
Music by Eugene Poddany
Carl Brandt
Dean Elliott
Distributed by MGM Animation/Visual Arts
(Sib Tower 12 Productions)
Release dates
1963 - 1967
(34 shorts)
Running time
approx. 6 to 8 minutes (per short)
Country Template:FilmUS
Language English
Budget US$ 42000.00 (per short)

After the last of the Deitch cartoons were released, Jones, who had been fired from his thirty-plus year tenure at Warner Bros. Cartoons, started his own animation studio, Sib Tower 12 Productions, with partner Les Goldman. Beginning in 1963, Jones and Goldman went on to produce 34 more Tom and Jerry shorts, all of which carried Jones' distinctive style (and a slight psychedelic influence). However, despite being animated by essentially the same artists who worked with Jones at Warner's, these new shorts had varying degrees of critical success.

File:Tom and Jerry Chuck Jones.jpg

Jones had trouble adapting his style to Tom and Jerry's brand of humor, and a number of the cartoons favored poses, personality, and style over storyline. The characters underwent a slight change of appearance: Tom was given thicker, Boris Karloff-like eyebrows (resembling Jones' Grinch or Count Blood Count), a less complex look (including the color of his fur becoming gray), sharper ears, and furrier cheeks, while Jerry was given larger eyes and ears, a lighter brown color, and a sweeter, Porky Pig-like expression.

Some of Jones' Tom and Jerry cartoons are reminiscent of his work with Wile E. Coyote and the Road Runner, included the uses of blackout gags and gags involving characters falling from high places. Jones co-directed the majority of the shorts with layout artist Maurice Noble. The remaining shorts were directed by Abe Levitow and Ben Washam, with Tom Ray directing two shorts built around footage from earlier Tom and Jerry cartoons directed by Hanna and Barbera. Various vocal characteristics were made by Mel Blanc and June Foray. MGM finally ended production on Tom and Jerry in 1967, by which time Sib Tower 12 had become MGM Animation/Visual Arts, and Jones had moved on television specials and the feature film, The Phantom Tollbooth.

Tom and Jerry hit television

File:PDVD 030.JPG

Beginning in 1965, the Hanna and Barbera Tom and Jerry shows began to appear on television in heavily edited form: the Jones team was required to take the cartoons featuring Mammy (such as Saturday Evening Puss), rotoscope her out, and replace her with a thin white woman, with Lillian Randolph's original voice tracks replaced by June Foray. However, in local telecasts of the cartoons, and in the ones shown on Boomerang, Mammy, featured in the other shorts, could once again be seen, and more recentlyTemplate:Year, with a new, less stereotypical black voice supplied, which is done by Thea VidaleTemplate:Citation needed. Much of the extreme violence in the cartoons were also edited out. Starting out on CBS' Saturday Morning schedule on September 25, 1965, Tom and Jerry moved to CBS Sundays two years later and remained there until September 17, 1972.

Tom and Jerry's new owners

In 1986, MGM was purchased by WTBS founder Ted Turner. Turner sold the company a short while later, but retained MGM's pre-1986 film library, thus Tom and Jerry became the property of Turner Entertainment (where the rights stand today via Warner Bros.), and have in subsequent years appeared on Turner-run stations, such as TBS, TNT, Cartoon Network, Boomerang, and Turner Classic Movies.

Tom and Jerry outside the United States

When shown on terrestrial television in the United Kingdom (from 1967 to 2000, usually on the BBC) Tom and Jerry cartoons were not cut for violence and Mammy was retained. As well as having regular slots, Tom and Jerry served the BBC in another way. When faced with disruption to the schedules (such as those occurring when live broadcasts overrun), the BBC would invariably turn to Tom and Jerry to fill any gaps, confident that it would retain much of an audience that might otherwise channel hop. This proved particularly helpful in 1993, when Noel's House Party had to be canceled due to an IRA bomb scare at BBC Television Centre - Tom and Jerry was shown instead, bridging the gap until the next programme. Recently, a mother has complained to OFCOM of the smoking scenes shown in the cartoons, since Tom often attempts to impress love interests with the habit, resulting in reports that the smoking scenes in Tom and Jerry films may be subject to censorship.[5]

Due to its lack of dialog, Tom and Jerry was easily translated into various foreign languages. Tom and Jerry began broadcast in Japan in 1964. A 2005 nationwide survey taken in Japan by TV Asahi, sampling age groups from teenagers to adults in their sixties, ranked Tom and Jerry #85 in a list of the top 100 "anime" of all time; while their web poll taken after the airing of the list ranked it at #58 - the only non-Japanese animation on the list, and beating anime classics like Tsubasa: Reservoir Chronicle, A Little Princess Sara, and the ultra-classics Macross, Ghost in the Shell, and Rurouni Kenshin (it should be noted that in Japan, the word "anime" refers to all animation regardless of origin, not just Japanese animation).[6]

Tom and Jerry have long been popular in Germany. However, the cartoons are overdubbed with rhyming German language verse that describes what is happening onscreen and provides additional funny content. The different episodes are usually embedded in the episode Jerry's Diary (1949), in which Tom reads about past adventures.

In India, South East Asia, the Middle East, Pakistan, Argentina, Mexico, Colombia, Brazil, Venezuela, and other Latin American countries, even in the eastern Europe, such as Romania, Cartoon Network still airs Tom and Jerry cartoons everyday. In Russia, local channels also air the show in its daytime programming slot. Tom and Jerry was one of the few cartoons of western origin broadcast in Czechoslovakia (1988) before the fall of Communism in 1989.



Like a number of other animated cartoons in the 1940s, 1950s and 1960s, Tom and Jerry was not considered politically correct in later years. There were at least twenty-four cartoons that featured either racism or with characters shown in blackface following an explosion, which are subsequently cut when shown on television today, although The Yankee Doodle Mouse blackface gag as well as another blackface gag at the end of Safety Second remain intact, depending on the country. The black maid, Mammy Two Shoes, is often considered racist because she is depicted as a poor black woman who has a rodent problem. Her voice was redubbed by Turner in the mid-1990s in hopes of making the character sound less stereotypical; the resulting accent sounded more Irish. One cartoon in particular, His Mouse Friday, is often completely out of television rotation due to the cannibals being seen as racist stereotypes. If shown, the cannibals' dialogue is edited out, although their mouths can be seen moving.

In 2006, United Kingdom channel Boomerang made plans to edit Tom and Jerry cartoons being aired in the UK where the characters were seen to be smoking in a manner that was "condoned, acceptable or glamorised." This followed a complaint from a viewer that the cartoons were not appropriate for younger viewers, and a subsequent investigation by UK media watchdog OFCOM.[5] It has also taken the U.S. approach by editing out blackface gags, though this seems to be random as not all scenes of this type are cut.

Later shows, specials and shorts

File:Tom Jerry Show.jpg

In 1975, Tom and Jerry were reunited with Hanna and Barbera, who produced new Tom and Jerry cartoons for Saturday mornings. These 48 seven-minute short cartoons were paired with The Great Grape Ape and Mumbly cartoons, to create The Tom and Jerry /Grape Ape Show, The Tom and Jerry/Grape Ape/Mumbly Show, and The Tom and Jerry/Mumbly Show, all of which ran on ABC Saturday Morning from September 6, 1975 to September 3, 1977. This is the first new Tom & Jerry cartoon series for TV in years afters the theatrical shorts shown on television. In these cartoons, Tom and Jerry (now with a red bow tie), who had been enemies during their formative years, became nonviolent pals who went on adventures together, as Hanna-Barbera had to meet the stringent rules against violence for children's TV. The Tom & Jerry Show is still airing on the Canadian channel, TELETOON, and its classical counterpart, TELETOON Retro.

File:Tom and jerry comedy show title.jpg

Filmation Studios (in association with MGM Television) also tried their hands at producing a Tom and Jerry TV series. Their version, The Tom and Jerry Comedy Show, debuted in 1980, and also featured new cartoons starring Droopy, Spike (another bulldog created by Tex Avery), and Barney Bear, not seen since the original MGM shorts. The thirty Filmation Tom and Jerry cartoons were noticeably different from Hanna-Barbera's efforts, as they returned Tom and Jerry to the original chase formula, with a somewhat more "slapstick" humor format. This incarnation, much like the 1975 version, was not as well received by audiences as the originals, and lasted on CBS Saturday Morning from September 6, 1980 to September 4, 1982.


One of the biggest trends for Saturday morning television in the 1980s and 1990s was the "babyfication" of older, classic cartoon stars, and on September 8, 1990, Tom and Jerry Kids, co-produced by Turner Entertainment and Hanna-Barbera Productions (which would be sold to Turner in 1991) debuted on FOX. It featured a youthful version of the famous cat-and-mouse duo chasing each other. As with the 1975 H-B series, Jerry wears his red bowtie, while Tom now wears a red cap. Spike and his son Tyke, and Droopy and his son Dripple, appeared in back-up segments for the show, which ran until October 2, 1993.

In 2000, a new television special entitled, Tom and Jerry: The Mansion Cat premiered on Cartoon Network. It featured Joe Barbera (who was also a creative consultant) as the voice of Tom's owner, whose face is never seen. In this cartoon, Jerry, housed in a habitrail, is as much of a house pet as Tom is, and their owner has to remind Tom to not "blame everything on the mouse".

In 2005, a new Tom and Jerry theatrical short, entitled The KarateGuard, which had been written and directed by Barbera and Spike Brandt, storyboarded by Joseph Barbera and Iwao Takamoto and produced by Joseph Barbera, Spike Brandt and Tony Cervone premiered in Los Angeles cinemas on September 27, 2005. As part of the celebration of Tom and Jerry's sixty-fifth anniversary, this marked Barbera's first return as a writer, director and storyboard artist on the series since his and Hanna's original MGM cartoon shorts. Director/animator, Spike Brandt was nominated for an Annie award for best character animation. The short debuted on Cartoon Network on January 27, 2006.


During the first half of 2006, a new series called Tom and Jerry Tales was produced at Warner Bros. Animation. Thirteen half-hour episodes (each consisting of three shorts) were produced, with only markets outside of the United States and United Kingdom signed up. The show then came to the UK in February 2006 on Boomerang, and it went to the U.S. on The CW4Kids on The CW.[7]. Tales is the first Tom and Jerry TV series that utilizes the original style of the classic shorts, along with the violence. This recently is the last Tom and Jerry-based cartoon show for television as the show ended on March 22, 2008.


In January 2009, IGN named Tom and Jerry as the 66th best in the Top 100 Animated TV Shows.[8]

In an interview found on the DVD releases, several MADtv cast members stated that Tom and Jerry is one of their biggest influences for slapstick comedy.

Feature films


Jerry and Gene Kelly in the 1945 musical film Anchors Aweigh.

In 1945, Jerry made an appearance in the live-action MGM musical feature film Anchors Aweigh, in which, through the use of special effects, he performs a dance routine with Gene Kelly. In this sequence, Gene Kelly is telling a class of school kids a fictional tale of how he earned his Medal of Honor. Jerry is the king of a magical world populated with cartoon animals, whom he has forbidden to dance as he himself does not know how. Gene Kelly's character then comes along and guides Jerry through an elaborate dance routine, resulting in Jerry awarding him with a medal. Jerry speaks and sings in this short film; his voice is performed by Sara Berner. Tom has a cameo in the sequence as one of Jerry's servants.

File:Dangerous When Wet.JPG

Both Tom and Jerry appear with Esther Williams in a dream sequence in another big-screen musical, Dangerous When Wet. In the film, Tom and Jerry are chasing each other underwater, when they run into Esther Williams, with whom they perform an extended synchronized swimming routine. Tom and Jerry have to save Williams from a lecherous octopus, who tries to lure and woo her into (many of) his arms.

In 1988, the duo were lined-up to appear in the Oscar-winning Touchstone/Amblin Entertainment film, Who Framed Roger Rabbit, a homage to classic American animation, but their inclusion in the film was scrapped due to legal complications.[9]

1992 saw the first international release of Tom and Jerry: The Movie when the film was released overseas to theaters in Europe of that year and then domestically by Miramax Films in 1993. Joseph Barbera, co-creator of the characters served as creative consultant for the picture, which was produced and directed by Phil Roman. A musical film with a structure similar to Metro-Goldwyn-Mayer's blockbusters, The Wizard of Oz and Singin' in the Rain, the movie was criticized by reviewers and audiences alike for being predictable and for giving the pair dialogue (and songs) through the entire movie. As a result, it failed at the box office.

In 2001, Warner Bros. (which had, by then, merged with Turner and assumed its properties) released the duo's first direct-to-video movie, Tom and Jerry: The Magic Ring, in which Tom covets a ring which grants mystical powers to the wearer, and has become accidentally stuck on Jerry's head. It would mark the last time both Hanna and Barbera co-produced a Tom and Jerry film, as William Hanna died shortly after The Magic Ring was released.

Four years later, Bill Kopp scripted and directed two more cat and mouse features for the studio, Tom and Jerry: Blast Off to Mars and Tom and Jerry: The Fast and the Furry, the latter one based on a story by Barbera. Both were released on DVD in 2005, marking the celebration of Tom and Jerry's 65th anniversary. In 2006, another direct-to-video film, Tom and Jerry: Shiver Me Whiskers, tells the story about the pair having to work together to find the treasure. Joe came up with the storyline for the next feature, Tom and Jerry: A Nutcracker Tale, as well as the initial idea of synchronizing the on-screen actions to music from Tchaikovsky's Nutcracker Suite. This DTV, directed by Spike Brandt and Tony Cervone, would be Joe Barbera's last Tom and Jerry project due to his passing in December 2006. The holiday-set animated film was released on DVD in late 2007, and dedicated to Barbera.

Warner Bros. has plans for a theatrically-released film starring Tom and Jerry. The film will be, according to Variety, "an origin story that reveals how Tom and Jerry first meet and form their rivalry before getting lost in Chicago and reluctantly working together during an arduous journey home". Dan Lin will produce the film.[10]

Other formats

Tom and Jerry began appearing in comic books in 1942, as one of the features in Our Gang Comics. In 1949, with MGM's live-action Our Gang shorts having ceased production five years earlier, the series was renamed Tom and Jerry Comics. The pair continued to appear in various books for the rest of the 20th century.[11]

The pair have also appeared in a number of video games as well, spanning titles for systems from the Nintendo Entertainment System and Super NES and Nintendo 64 to more recent entries for PlayStation 2, Xbox, and Nintendo GameCube.

Cultural influences

Template:Trivia Throughout the years, the term and title Tom and Jerry became practically synonymous with never-ending rivalry, as much as the related "cat and mouse fight" metaphor has. Yet in Tom and Jerry it wasn't the more powerful (Tom) that usually came out on top. Palestinian President Yassar Arafat noted this fact and loved the cartoon show because "the little guy--the mouse and not the cat--always won"[12]

The Simpsons characters, Itchy & Scratchy, of the eponymous cartoon on the Krusty the Clown Show, are spoofs of Tom and Jerry--a "cartoon within a cartoon."[1] The extreme cartoon violence of the Tom and Jerry is parodied and intensified, as Itchy (the mouse) dispatches Scratchy in various gratuitous, gory fashions. In the Simpsons episode, Itchy and Scratchy and Marge Marge gets violence banned from TV and Itchy and Scratchy became friends (their whacking intro is replaced by gift-exchanging), causing the downfall of the series. It was later changed back to the way it used to be because Marge decided that art shouldn't be censored because she didn't want Michelangelo's David's nudity to be covered up. The Simpsons also parodied the Gene Deitch era cartoons. In the episode Krusty Gets Kancelled, the Itchy & Scratchy characters are replaced with the badly drawn Worker & Parasite.

The duo are also parodied in the original Sally the Witch anime (1966), the Fairly Oddparents TV movie, Channel Chasers (2004), and two episodes of Garfield and Friends.

The Family Guy episode Road to Rupert also parodied the Gene Kelly dance where Stewie takes the place of Jerry in the sequence.

An episodeTemplate:Which? of Disney's Kim Possible also featured a parody of Tom and Jerry called Scamper and Mr. Bitey.

Tom and Jerry were mentioned in Baby Mama when Angie (Amy Pohler) says, "We're partners like Tom And Jerry." Kate (Tina Fey) corrects her and says "Tom and Jerry hate each other."

On an episode of TNA iMPACT!, wrestler Abyss (Chris Parks) confessed his recent discovery, that Tom and Jerry were actually friends and were only playing.

Author Steven Millhauser wrote a short story called "Cat 'n' Mouse," which pits the duo against one another as antagonist and protagonist in literary form. Millhauser allows his reader access to the thoughts and emotions of the two characters in a way that wasn't done in the cartoon.

British band Pulp released a song called Bad Cover Version from their album We Love Life. In it, the lyrics describes an ex-lover's new partner as a "Bad Cover Version" and the final verse refers to a list of inferior versions compared to the original. During this list, singer Jarvis Cocker mentions "a later Tom and Jerry when the two of them could talk."

Tom and Jerry on DVD

There have been several Tom and Jerry DVDs released in Region 1 (the United States and Canada), including a series of two-disc sets known as the Tom and Jerry Spotlight Collection. There have been negative responses to Vol. 1 and Vol. 2, due to some of the cartoons included on each having cuts and redubbed Mammy Two-Shoes dialogue. A replacement program offering uncut versions of the shorts on DVD was later announced. There are also negative responses to Vol. 3, due to Mouse Cleaning and Casanova Cat being excluded from these sets and His Mouse Friday having an extreme zooming-in towards the end.

There have been two Tom and Jerry DVD sets in Region 2. In Western Europe, most of the Tom and Jerry shorts have been released (only two, The Million Dollar Cat and Busy Buddies, were not included) under the name Tom and Jerry - The Classic Collection. Almost all of the shorts contain re-dubbed Mammy Two-Shoes tracks. Despite these cuts, His Mouse Friday, the only Tom and Jerry cartoon to be completely taken off the airwaves in some countries due to racism, is included, unedited with the exception of extreme zooming-in towards the end to avoid showing a particularly racist caricature. These are regular TV prints sent from the U.S. in the 1990s. Shorts produced in CinemaScope are presented in pan and scan. Fortunately Mouse Cleaning and Casanova Cat are presented uncut on as part of these sets. Tom and Jerry - The Classic Collection is available in 6 double-sided DVDs (issued in the United Kingdom) and 12 single-layer DVDs (issued throughout Western Europe, including the United Kingdom).

Another Tom and Jerry Region 2 DVD set is available in Japan. As with Tom and Jerry - The Classic Collection in Western Europe, almost all of the shorts (including His Mouse Friday) contain cuts. Slicked-up Pup, Tom's Photo Finish, Busy Buddies, The Egg and Jerry, Tops with Pops and Feedin' the Kiddie are excluded from these sets. Shorts produced in CinemaScope are presented in pan and scan.

The Chuck Jones-era Tom and Jerry shorts were released in a two-disc set entitled Tom and Jerry: The Chuck Jones Collection on June 23, 2009.[13]


Notable shorts

For a list of theatrical Tom & Jerry cartoon shorts, see List of Tom and Jerry cartoons.

The following cartoons won the Academy Award (Oscar) for Best Short Subject: Cartoons:[14]Template:Rp

These cartoons were nominated for the Academy Award for Best Short Subject: Cartoons, but did not win:

These cartoons were nominated for the Annie Award in the Individual Achievements Category: Character Animation, but did not win:

Television shows

Packaged shows and programming blocks

Television specials

Theatrical films

Direct-to-video films


Attention niels epting WARNING: You may add parodies. But, do NOT delete any. Complete parodies list

See also


  • Adams, T.R. (1991). Tom and Jerry: Fifty Years of Cat and Mouse. Crescent Books. ISBN 0-517-05688-7.
  • Barrier, Michael (1999). Hollywood Cartoons: American Animation in Its Golden Age. Oxford: Oxford University Press. ISBN 0-19-503759-6.
  • Maltin, Leonard (1980, updated 1987). Of Mice and Magic: A History of American Animated Cartoons. New York: Penguin Books. ISBN 0-452-25993-2.


  1. 1.0 1.1 Whitworth, Melissa. "Master cartoonist who created Tom and Jerry draws his last", The Daily Telegraph (LONDON), 2006-12-20, pp. 9. 
  2. Hanna, William; Joseph Barbera, with Ted Sennett (1989). The Art of Hanna-Barbera: Fifty Years of Creativity. New York, NY: Viking Studio Books. ISBN 0-67082-978-1.
  3. Smoodin, Eric. "Cartoon and Comic Classicism: High-Art Histories of Lowbrow Culture". American Literary History (Oxford, England: Oxford University Press) 4 (1 (Spring, 1992)).
  4. Barbera, Joseph (1994). My Life in "Toons": From Flatbush to Bedrock in Under a Century. Atlanta, GA: Turner Publishing. pp. 76. ISBN 1-57036-042-1.
  5. 5.0 5.1 BBC NEWS | Entertainment | Smoke's no joke for Tom and Jerry
  7. Kids' WB! on The CW Announces 2006-2007 "Too Big for Your TV" Saturday Morning Programming Schedule - Cartoons -
  9. Price, Jeffrey and Seaman, Peter S. (Sept. 6, 1986). Who Shot Roger Rabbit? [Screenplay]. The third draft of the Who Framed Roger Rabbit script calls for Tom and Jerry to attend "Toontown" owner Marvin Acme's funeral, a sequence ultimately not shot for the film.
  10. 10.0 10.1 Variety | Entertainment | Tom and Jerry head to the bigscreen
  11. [1]Tom and Jerry Comics
  13. Tom and Jerry: New 2-DVD set collects the Chuck Jones Shorts into One Package
  14. Vallance, Tom. "Joseph Barbera: Animation pioneer whose creations with William Hanna included the Flintstones and Tom and Jerry", The Independent (London), 2006-12-20. 

Template:Tom and Jerry

Template:Link FA

Also on Fandom

Random wikia